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Archive for the ‘Print’ Category

Bringing the Rockies In-store!

Thursday, August 5th, 2010

The Printed Image was approached by the Coors Light brand team to design an in-store theatre experience that would leverage the “Rocky Mountain Refreshment” message for an innovative and flexible solution, with maximum visual impact.

The structure was to create a tunnel effect that would surround the consumer in store. By creating 3D layers of the Rocky Mountain vista, and using duratrans in the ceiling piece to allow the tunnel to remain lit, the consumer was brought to the Rocky Mountains.

That cases of beer are stacked literally between the mountains ties the brand imagery very closely to the product itself, leveraging it perfectly for the brand message.

One of the key requirements of the brief was that the solution be easily tailored to available space within the store. The unit has therefore been designed to be shopped from either one or two sides, and used either on its own, or built into configurations made of multiple units. There are variations for the roof piece and pillar ends to enable the unit work in whatever space is available in the store as well.

For stores where space is really at a premium, we have designed an unusual case tidy, which uses pillar ends from the units, plus a headerboard, to still allow product be stacked between the 3D mountains. It is quickly and easily constructed with a small footprint and fantastic visibility in store.

Feedback from the trade and from the client has been excellent – they have found the solution to be extremely flexible, while the visual impact truly makes the product’s presence in-store very strong. We’re looking forward to feedback about the resulting sales uplift in participating stores!

The In-Store Show 2010

Wednesday, July 21st, 2010

The In-Store Show is one part of what is arguably the UK’s premier marketing event, Marketing Week Live and was held at Olympia in London on 29 – 30 June.

It was a landmark for TPI UK as it was the first exhibition we have attended and I only wish I’d joined the company in time to do it last year, rather than just being a visitor. Anyway, more of this later.

Before I go any further I have to do a ‘Gwyneth’ and thank everybody for their help in making this show a great success. Colin for giving me the budget in the first place, EmmaRose for coming up with a great backdrop for the stand and for putting up with my OCD and ‘Virgo’ tendencies! Aisling for pulling it all together and for her help at the show (and for getting a much bigger hotel room than me), Adrienne for sorting out the transport, the gang on the floor, my wife and family, the cat

..(forgive me if I’ve forgotten anybody).

After struggling on my own to put the stand together in heat akin to the Sahara, it looked really impressive with a great selection of POS on show.

The In-Store Show is attended by some big players in the permanent and semi-permanent POS industry, as well as other related products and services and draws some serious visitors from FMCG and other ‘blue-chip’ companies, print management companies and agencies amongst others. Although being a typical salesman I’m the eternal optimist, I have to say I was both surprised and delighted by the number and quality of potential clients who visited our stand and showed a genuine interest in our company. I’ll go so far as to say that we would never have got many of these leads had we not attended the show, hence my earlier comment about wishing we could have done this last year.

It’s early days, but I’m already well in to double figures for the number of appointments booked following the show and know there’s many more to come (we even received a couple of briefs on the second day of the exhibition). There’s every reason to believe that attending the In-Store will act as a catalyst to help drive TPI UK on to the next level in the weeks and months to come!

Steve Lewis,
UK Managing Director.

Always time for a reprint

Wednesday, July 7th, 2010

Always time for a reprint…A very old saying in the print trade that is usually said at the beginning of a rush job or sometimes after the event when somebody spots an error. Everybody involved in the process from client, designer, account manager, repro person, plate maker, printer, print finisher has an opportunity to make sure a job is correct. Often they all don’t have the luxury of time to be 100% sure the job is correct. It is always after the unfortunate event of a mistake that you hear the line “always time for a reprint”.

You may not have had enough time at the start of a job and it is rushed through with corners cut in the panic to get it produced but better time management throughout the process allows the time to check and proof jobs. A simple hint when proofing is to proof read it backwards. That way it won’t allow the brain to predict what text might be next and you read through what actually isn’t there in the first place..!!

It might eliminate the chance of hearing that old saying that everyone dreads to hear.

Brian Fay.

Growing up in TPI!

Thursday, June 24th, 2010

As a student, I was used to doing as I pleased…which lectures to go to, which ones to skip, whether to study for exams or to just wing it! Nobody’s there to hold your hand and I very quickly discovered that nobody will blink an eyelid if you miss lectures, or never hand in assignments.

My first 2 college years have passed quicker than I could have possibly anticipated, but it has been the most interesting, fun, challenging, intense yet rewarding time of my life. I was only really getting comfortable in DCU when it was time to move on!

I used to think my Monday morning classes were such a waste of time, but now that I am working in the big bad world, I have discovered that the skills and knowledge I gained over my 2 years in DCU are beginning to show and are being put to good use!

I hadn’t a clue how a full time placement was going to suit me, and I am surprising myself by saying that I am loving every minute of it! The early starts, (!) the responsibilities, the rushing around, the stress; these are all outweighed by knowing that what I am doing is of huge benefit to our clients. It’s only a small thing but being able to complete a service from first point of contact right through to delivery, to the client’s satisfaction, is such a great feeling!

Rachel Condon


Arthur’s Day Wins Gold!

Monday, May 31st, 2010

It is exciting for TPI staff and myself when a client, in this case ADM and their client Diageo wants to do something totally different. When IIP put their thinking caps on and then combined with our corrugated engineers the in store theatre we produced together was dramatic. Arthurs Day was a huge success. The results in terms of sales lift followed that considerable investment and now it seems the awards have arrived.

The guys in IIP, the guys in Diageo and the guys in ADM deserve great credit for pushing the boundary of what is possible in store. We are happy to work with anyone who wants to see clever customer communication. We think the APMC Gold Star was well deserved and on behalf of TPI well done to all involved.

Colin Culliton

What is the best way to supply artwork?

Monday, April 26th, 2010

What is the best way to supply artwork? That’s a question we are asked on a daily basis and unfortunately not all artwork sent to us is finished art, so we then have to treat it in pre press to make it workable. This can lead to backlogs or requesting artwork to be sent again if we are unable to “fix” the issues in house.

So here are a few tips for supplying correct artwork that will run to proof 1st time around.

Guidelines for supply of artwork…

Artwork can be supplied Via:

Email (if under 10mb)

CD

DVD

Upload to our FTP site (contact your account manager for passwords and user names)

Open access FTP such as “you send it” “dropsend” etc

Finished Artwork can be supplied in:

Quark (v7 or earlier)

Adobe illustrator / inDesign (CS4 or earlier)

Adobe Acrobat PDF

In house procedure on receipt of artwork:
Artwork is ripped and made ready for print, we will either revert with hard copy or soft copy proofs.

The RIP device that drives our litho plate setter and Direct To Screen system also drives our proofing which insures integrity between hard copy proof / plate / screen and printed job. We also make our soft copy (prinergy PDF’s ) from the same system, again insuring integrity.

Tips for supply of artwork:

…When there is a Keyline in use, please set as a special colour to overprint so as it doesn’t embed.

…Outline fonts before distilling the PDF.

…As a general rule of thumb PDF’s are non editable.

…Make the document size the same size as trim size, in other words don’t randomly float the artwork within a document.

…When supplying artwork in its native format it is always better to supply with outlined fonts. (however this restricts any typographical edits that may be required).

…If it is likely that changes to artwork may be needed, always supply editable artwork, ie. Live text, layered photoshop documents etc.

…When emailing files always compress prior to sending to avoid corruption.

…Any white out text should be set to knockout, not overprint.

…Supply laser and / or mock up of final artwork to show finished piece.

…Any questions on supply of artwork contact brendan@tpi.ie

Brendan Delany

The Mighty Sheaf

Wednesday, April 7th, 2010

Paper comes in all weights, shapes and sizes, but there is a system used throughout the world (although not in the US or Canada) which makes it a simple enough process to specify the size of the item to be printed.

The format is based on a standard sheet measuring 841mm x 1189mm (A0) All other sheet sizes A1, A2, A3, A4, A5, A6, A7, etc are made up by halving the next paper size along the longer side. For example, A3 landscape measures 420mm x 297mm and an A4 sheet measures 297mm x 210mm. The most common finished sheet size is the A4 (210mm x 297mm).

A simple formula to use is to work on the basis that the first sheet in the series is the A0. The longer length is then halved to give 1, and halved again to give 2 and halved again to give 3, etc. So, A4 is half of A3, A5 is half of A4, etc.

This is a clean and easy way of calculating the dimensions of a project. An advantage of this system is that, for example, folded brochures of any size can be made by using sheets of the next larger size, e.g. A4 sheets are folded to make A5 brochures (4 page A5). Also, using this priciple, two sheets of A4 can be scaled down to fit exactly 1 sheet of A4 without any cutoff or margins (see diagram below).

This system of calulating the size of a sheet of paper was introduced in Germany in 1922 and adopted by most of the world, with the exeption of the USA and Canada). It was adopted by the Irish printing industry in 1959
A quick guide to common uses of the A sizes used in the printing industry.

A4 is commonly used for stationery, brochures, newsletters, booklets, etc.
A5 is commonly used for items such as leaflets, flyers, 4 page A5, etc.
A6 is the internationally recognised size used for postcards.
A7 is generally used in the production of labels

And you thought they were just pieces of paper…

Stephen Dunne

Paper-Scale

New Year’s Resolutions for 2010…

Monday, January 25th, 2010

Get fit, lose weight, start a new hobby

.It’s easy to come up with New Year’s resolutions but not so easy sticking to them!  So I guess the way forward is to set realistic goals.

Here’s one that we’d recommend you try when buying print in 2010:

Plan ahead: One of the most cost effective ways to purchase print is to plan ahead and try to print as many promotions/projects together as you can. By combining print jobs you will make real cost savings. Talk to your colleagues when placing print with us, ask if they have any print in the pipeline that you could print together. Planning several jobs together on a sheet reduces the cost of the individual items.

Remember: Combining jobs in this way really does drive costs down.

One of our New Year’s resolutions is to look at what we can do better. We will continue being pro-active; coming up with new POS products to offer you, ensuring we and you are always one step ahead of the competition, but always offering cost effective Point of Sale.

Remember – New Year’s resolutions don’t need to be just for New Year – you can use these tips all year round.

Louise Byrne

What exactly is Screen Printing?

Tuesday, January 19th, 2010

The most important factor in a busy retail environment is ensuring your product or promotion stands out from the rest. A lot of the POS you see in a retail environment is Screen printed. Our screen print facility is the most modern in the industry boasting a 4 Colour Sievia 60″ x 80″ running full size Direct To Screen Repro System.  As with our litho capacity, integration with our design studio ensures effective high quality production every time.

Within our screen department, we are innovators in engineering and producing bespoke or standard structural display items on a variety of substrates. Our screen products include: Free Standing Display Units, Backboards, Dump Bins, Dummy Boxes, Entry boxes, Pelmets, Pallet Displays, Six sheets, Counter Display Units, Banners, Shippers and complex display items.

And, for all those print anoraks out there

 here’s a little history for you, Screen Printing through the years…

Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas and on to the substrate. (more…)

What Colour is The Printed Image?

Wednesday, January 13th, 2010

Printing isn’t an industry most people would think of when contemplating the green movement, however there are lots of ways in which even this market can lower its impact on the enviornment. The easiest way is through providing sustainable options for you, our valued customers.

Whether its tree free paper or simply recycled, let us know what your desires are and we can do our best to source the materials for you! And our efforts don’t stop there, here are a few more ways in which we are doing our part to make our business greener for everyone.

Energy Reduction – During the popular Power of One campaign broadcast throughout the nation we decided to have our own Power of Ten project. Ten people were given the responsibility of making sure our lights, computers and other electronics were switched off not only after hours, but whenever they weren’t being used. The habit caught on quickly and we now have small power of one reminders on every light switch in the building!

Recycling Waste - unfortunately waste is a necessary aspect of the print industry, and in light of this we make every effort to ensure that all unused and left over materials are immediately recycled. We’ve also gone a step further and introduced a very detailed recycling program in our offices and lunch rooms as well as the floor, ensuring there’s a place for papers, plastics and much more for everyone who works here! (more…)